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Jon Moritsugu's Scumrock has been selected for the Kensington Real Independent Film Festival

Originally posted 3/30/07 Pioneering indie/punk/DIY filmmaker Jon Moritsugu's ultra-low budget, Hi-8 filmed, award winning feature Scumrock , a tale about the struggle between the career ambitions of aspiring young creatives and the arrival of their dreaded 30's, will screen at the Kensington Real Independent Film Festival (KRIFF) this fall. KRIFF happens September 6 - 9 in Kensington, Maryland. About Jon Moritsugu (adapted from the introduction to an interview I did with him in 2005): Jon Moritsugu has played his movies in, and won awards at, underground film festivals and he has also played his movies at international, mainstream forums including the Cannes film festival. He once made a 16 MM Panavision movie for PBS with a budget of over $350,000 and he has also made feature length movies for under $5,000. This versatile, very creative, always super independent, punk rock influenced and inspired American filmmaker has a two decade long resume and body of work that most cre

One Date Number One review that won't be in the press packet

Yes, having your film reviewed by someone who totally didn't dig anything about it can be very amusing, check out Lucas McNelly's review of Date Number One for his uber-indie project, at the 100 Films blog. Of course getting positive reviews all last year, pretty much all of the 5 reviews from last year: The Chutry Experiment Hollywood Is Talking GreenCine Daily Boredom at its Boredest Still Lover & the majority of the audience feedback at screenings, were positive, & that helps in dealing with negative reviews. Mild amusement aside, Lucas's review will be staying far away from the Date Number One press packet. - Sujewa

First time director Tammy Caplan getting some fame (& some money) from her "unusual" superhero movie

And now the brief version of the story of her path to success with the "superhero comedy "Fartman: Caught in a Tight Ass" ", in director Tammy Caplan's own words: " I originally submitted the film for the Howard Stern film festival. I became a finalist but was disqualified because I missed the rule that said you couldn't use SAG actors. Howard TV liked the film so much though that they ran it on his channel for several months. I got into contact with Atom Films and they were interested in the film. Howard TV agreed to run it on Atom Films and now I'll actually be making some money from my first directing effort." Congratulations Tammy. Check out Fartman here . - Sujewa

Posted an article on Mumblecore at IndieFilmPedia

IndieFilmPedia is a very new wiki project started by several indie filmmakers and indie film fans, including myself. I just posted an article on the Mumblecore film movement at the pedia. Being a wiki doc, the article will most likely get changed, altered, perhaps improved upon (as if that's possible :), by others, in days & weeks to come. So, here is the original version of the article, what I posted a few minutes ago: Mumblecore From IndieFilmPedia Jump to: navigation , search Mumblecore (also Mumblecorps or The Mumblecore Film Movement ) is the name of an early 21st century American independent film movement. The term Mumblecore originated around 2005 and then became better known in certain segments of the independent film industry (specially by filmmakers and bloggers who closely follow indieWIRE 's reporting), and more discussed, following the 2007 edition of the SXSW film festival . Mumblecore generally refers to films by Andrew Bujalski , Joe Swanberg , Aaron Ka

The "refreshing reality effect" of Date Number One

From GreenCine Daily's David Hudson's review of the movie : " There's a sentence in Jerry Brewington 's review of DN1 for Hollywood Is Talking that I find rather telling: "Story 2, 'A Romantic Dinner for Three,' was my favorite because I have to admit, I found the characters and the premise sexy, sexy, sexy." They are, but would Brewington have made the same observation in quite the same way in a review of, say, Two Girls and a Guy ? The relatively slick aesthetic (emphasis on "relatively") of James Toback 's film keeps us on our side of the screen, Robert Downey, Jr , Heather Graham and Natasha Gregson Wagner on theirs. In DN1 , we feel we're getting to know Kamal, Sunshine and Rupa and Shervin Boloorian, Jennifer Blakemore and Dele Williams, the actors who portray them, at the same time on two parallel tracks that never quite meet. We suspect that we could, any day of the week, run into any of the six - perhaps in that i

4 members of the Asian-American DIY/real indie wave: Araki, Moritsugu, Cajayon, & Pak

Inspiring & Noteworthy Ultra-low/"No" budget/low budget Real Indie/DIY Projects By 4 Asian-American Filmmakers: :: Early Greg Araki movies (The Living End, etc.) :: Early Jon Moritsugu movies (My Degeneration, Hippy Porn, etc.) & his 2003 Hi-8 feature Scumrock - Moritsugu also self-distributes many of his movies :: Gene Cajayon's The Debut - not sure how low budget this movie was but it surely was low budget by indiewood standards. but more importantly, this film is proof that theatrical self-distribution can earn some serious money - The Debut reportedly earned over a million dollars during its theatrical run :: Greg Pak's Robot Stories - same deal as The Debut re: budget, low, but not like $5K I think, and this one featured a little bit of Hollywood talent, but, definitely real indie: low budget & self-distributed, also with "non-traditional" casting - which is always very interesting. If you have not seen the movies mentioned above or any mo

Full Movie - SNEAK PREVIEW - Cosmic Disco Detective Rene And The Mystery Of Immortal Time Travelers

NEW - COSMIC DISCO DETECTIVE RENE (2023) - TRAILER!

The Secret Society For Slow Romance (2022) - available to rent as a new release starting January 1

Werewolf Ninja Philosopher at Vimeo VOD

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Indie Film Blogger Road Trip