indieWIRE's got a new first person piece, text from a speech given by Ted Hope, kind of an anti-"the sky is falling" speech. From the article:
"I can't talk about the "crisis" of the indie film industry. There is no crisis. The country is in crisis. The economy is in crisis. We, the filmmakers, aren't in crisis. The business is changing, but for us -- us who are called Indie Filmmakers -- that's good that the business is changing. Filmmaking is an incredible privilege and we need to accept it as such -- and accept the full responsibility that comes with that privilege."
"NEW YORK—Citing unsafe practices and potential toxic contamination, the Environmental Protection Agency shut down a small ghost- entrapment operation in downtown Manhattan today, and had four of the business' spectral-containment specialists arrested in the process."
"There are a lot of people speaking in their native languages in this movie.
I could not make a WWII film with Nazis speaking English. I made the decision that everyone speak their native language. This film is about barriers, language, culture, all that stuff. So how you gonna have a scene where Train is teaching [Angelo] to communicate by tapping on his chest if they're both speaking English? Where is going to be the conflict, the drama, with these four black American soldiers stumbling into a small Tuscan village if everyone is speaking the same language?"
Cinematical's got a nice review of Spike Lee's new movie Miracle at St. Anna. So far, since She's Gotta Have It, I've liked every Spike Lee joint that I've seen - I think I've seen most of them - perhaps all but 2 or 3, so I am looking forward to checking out Miracle, and I like it already.
I like the idea of Miracle because the lead characters are four non-"white" World War II US soldiers. As far as I know hundreds of thousands of non-"white" soldiers (coming mostly from colonies in Asia & Africa, and of course the segregated US) fought on the side of the Allies but, over 60 years after the end of the war, their stories have barely begun to be told in fiction films. I enjoyed the recent French movie Indigenes, which dealt with a group of non-"white" soldiers from French colonies fighting for the Allies in WWII - even though the ending of that movie was kind of depressing (but then war in general is depressing & the movie di…
Kinda nice being too busy to blog 'cause I've been editing like 8-10 hours a day (& working at the bookstore when not editing or sleeping) for the last 5 days or so (better than the opposite situation; blogging too much & not putting enough time into filmmaking). But, very soon I should be done with both Indie Film Blogger Road Trip (IFBRT) editing & fest submission #1 & Date Number One DVD production (on that project just need to finalize the DVD cover design & order the DVDs), & then will be back for some blogging. Also nice to have '08 projects #1 (DNO DVD) & #2 (IFBRT) very near completion at this point, so that I can plan on starting work on '08 projects #3 & #4 (two feature length, ultra-ultra low budget & superdelicious comedies) in October in NYC.
Until I get back to blogging, check out the blog links at IFBRT's blog, on the right side - scroll down - it's like a mini iW blogs page over there - headlines from about…
Been busy editing Indie Film Blogger Road Trip, have not had much time to blog this week, but did read a few interesting articles, posts about the changing world of indie film distribution. A lot of the ideas presented in these linked articles are not new to DIY/self-distributing filmmakers; however, it looks like that new combinations of DIY + working-with-several-companies distribution approaches (with publicity coming from fests, the web) may soon be tried out by regular indie filmmakers - the kinds that formerly relied or tried to rely solely on distributors for getting their work out. The end goals are (or should be, if you want to build a catalog of work that can be released through new avenues, have some say on how work gets marketed, make money) distribution AND holding on to long term control & ownership of projects, and simple paths for achieving those goals will probably appear after this current period of experimentation. Here are the links (if you haven't read the…
Tom Quinn's got the notes, check 'em out. Here's a little bit:
"For “City of God” Fernando looked at 2,000 kids saying their name and some information about themselves on videotape. He then selected 250 and broke them into 6 groups. Rehearsals would run from 8am to 9pm, giving him 2 hours with each group. Initially, he worked on making them less self conscious in front of the camera and building their confidence. While the entire film was scripted, the actors were never given anything to read. Instead, Fernando would give them a scene and have them go work on it as a group. Once they prepared, he would meet with them and shape it, slim it down and feed them lines from the script to throw in. During the shoot, he will often say “keep going” instead of “cut” because actors will often think they are improvising, but resort to the scripted lines making them sound more natural than the initial performance."
All in all, I think this Variety article by Anthony Kaufman has a lot of good news in it for real indie filmmakers. Don't be lazy, click over & read the whole thing, & to encourage you, here are some quotes:
"...more than two years after the initial hoopla, is day-and-date the distribution solution indies have been hoping for?
Executives at IFC and within Cuban's indie empire still believe it is, and now they have the numbers to show for it."
"For foreign and American indie producers, the model has proved largely worthwhile. Paul Trijbits, an exec producer on two of IFC'sVOD successes (Ken Loach's "The Wind That Shakes the Barley" and Shane Meadows' "This Is England"), says day-and-date uniquely helped the films to thrive where other releases have failed.
"On previous films from Loach and Meadows, there were no overages. Never. They were largely unrecouped films," he says. "Before, we couldn't barely se…
Not a cool development. Accepting religious law (basically ancient, superstitious/based on the existence of a supreme being/deity) as legal & binding in a modern secular country with separations between religion & state (at least up to now I thought the UK was a secular place w/ religion & state separations) is definitely a step backwards and can be bad news for a lot of people. Basically accepting religious law = a step back towards the pre-enlightenment dark ages (not to mention sharia courts ruled pre-9/11 Afghanistan where it was illegal to watch TV, women had no rights, etc. - go here for more on Islamic law; check out aspects of the criminal code that includes lashing as punishment for drinking) where religious orders & appeals to their Gods & morality determined the definition of justice; again, bad news for lots & lots of people. Of course I could be overreacting here, so, here's the full press release from The American Humanist Association:
There are worse things than religion, and religion is an effective way to organize & motivate people, but ultimately (& perhaps unfortunately), at the core of all major religions on this planet are lies or at least ideas that cannot be tested to see if they are true or not (as far as I can tell), and that makes the whole business of religions suspect (maybe we should invent a replacement for religions, hmmm?). Here's a clip from a doc, about where the Christian church may have gotten the idea for Jesus from:
"For more than 25 years Mr. Wang, now 59, has reinvented himself time and again with apparent ease, zigzagging between America and Asia, big and small movies, safe bets and wild risks, insider and outsider status.
“The industry can really box you in, so you try to break the patterns,” he said over lunch in Manhattan in July."
Alaska Governor Sarah Palin telling people that her & their God wants the US to invade Iraq.
Young soldiers from one of the wealthiest countries in the world killing a person on the street after invading that person's country without any defensible reasons (Iraq did not attack the US and there were no signs of them doing so). Basically, this is pure evil on video:
"In Krik’s resourceful if didactic movie, shot in a high contrast black-and-white that milks maximum atmospheric effect out of its wide, busy compositions and chiaroscuro lighting, Adam Nee plays Thomas Flynn, skinny and nebbish, a lefty bookstore owner and author of 9/11 conspiracy books. One of these books leads him into a situation of increasingly deadly intrigue involving a mysterious Eastern-European woman named Kasia (Elina Lowensohn), who comes to his store one day claiming to have information verifying Mohammad Atta’s involvement with the US Government. After she waltzes into his Brooklyn bookstore Vox Pop and claims to have answers to his many questions, they set off together on a trip down the noir paradigm of secrets and lies, betrayals and cover ups."
A trailer for the new film Obsession - Radical Islam's War Against the West. From the description of the film: "Using images from Arab TV, rarely seen in the West, Obsession reveals an ‘insider's view' of the hatred the Radicals are teaching, their incitement of global jihad, and their goal of world domination. With the help of experts, including first-hand accounts from a former PLO terrorist, a Nazi youth commander, and the daughter of a martyred guerrilla leader, the film shows, clearly, that the threat is real.
A peaceful religion is being hijacked by a dangerous foe, who seeks to destroy the shared values we stand for. The world should be very concerned."
"The movie service, currently in beta, will launch in mid-November with the same basic proposition as TuneCore's music offering:
1. Pay upfront flat fee 2. Have your work sent out to the digital download stores of your choice 3. Profit!
TuneCore takes no rights nor percentages, so artists keep all of the money (the stores still take their cut, of course). While an album of music can be delivered for $20 or $30, films will cost much more. Pricing will depend on the length of the work; a 60-minute film will cost $550 and a 90-minute film will cost $770."
Here. Thanks Docs Interactive for the link. Here's most of a recent post from Docs Interactive re: Berends, his interpreter George & their situation in Nigeria:
"American filmmaker Andrew Berends and his interpreter Samuel George are back in the custody of the Nigerian State Security Service after a weekend of freedom. Something similar apparently happened to another documentary filmmaker earlier this year, but she was released entirely after one day of being back in custody. Andy has not been. So it is more important than ever to continue the international pressure to get Andy and Samuel released. For recommendations how, please continue to visit http://helpandy.wordpress.com/ "
The LHC gets turned on this Wednesday, the last I heard. And some people think it will cause the planet to blow up. Not so says Professor Brian Cox in the YouTube video below. About the LHC's goals, from Wikipedia: "When activated, it is theorized that the collider will produce the elusive Higgs boson, dubbed the "God Particle", the observation of which could confirm the predictions and missing links in the Standard Model of physics and could explain how other elementary particles acquire properties such as mass."
After making a lot of short films, Amir has completed his first fiction feature - titled Whale, here's the trailer & some info. about it:
Cameron, a writer who seems to have never finished his first novel, returns home to his mother’s house in Orange County Ca., after a failed relationship and lack of direction with life. Back home, Cameron spends his time reacquainting with old high school friends, only to find that life has only gotten more confusing for everyone. What is a young man to do when he seems to have lost all hope?
The film uses a cast made up of mostly non-actors, including Motlagh’s real life parents. Many of the cast were first seen in Amir Motlagh’s short film, Dino Adino (2001). By using an alternative narrative style, the film destroys the lines of fiction and documentary by engaging the audience in a way that traditional narrative fictions cannot. Motlagh utilized an approach that mixes the cinematic language, using influences ranging from Dogme 95…
Finally some indie film news to blog; this place was in danger of turning into a full-blown X-Files type strange stories zone :):
"Kitchen Table Film Presents NEW YORK LATELY
Friday, October 17 at Tribeca Cinemas
New York, New York – September 8, 2008 - On Friday, October 17, Kitchen Table Films will hold a private premiere event of the independent feature film drama NEW YORK LATELY at the Tribeca Cinemas in New York. Written, directed and produced by Gary King, the premiere will feature a full screening of the 92-minute film and host an after party at the same venue. The filmmakers and select cast will be in attendance for post-screening Q&A's.
NEW YORK LATELY follows multiple characters as they weave through their daily lives struggling to find happiness. Using New York as the backdrop, filmmaker Gary King interweaves several unrelated tales into a larger tapestry that not only pulls viewers into these intimate day-to-day lives,but also draws on those interactions to show h…
If you feel several years or several thousand years out of step (forward or backward) with much of the rest of the world, that's probably because a few layers below the commonly agreed upon idea of point in time lies the actual point in time in which you exist - the two numbers are not the same; more on that here.
That and other "strange" ideas - such as ancient batteries, surprisingly complex navigational tools from thousands of years ago, possible records of ancient nuclear weapons - will be explored at this new blog of mine in the coming months as time permits; might give me some ideas for some sci-fi tinged movies, and - if nothing else- will probably be an interesting/entertaining blog.
Indie filmmakers have used, typically & mostly, comedy and drama as the two film storytelling genres with which to tell the stories that they want to tell. Another very interesting genre, one that seems to have no boundaries; death, time, whatever, is science fiction. After getting caught up on most of the episodes of the four seasons of the new version of Battlestar Galactica, I can see how adding a sci-fi element to an indie film would allow the makers to explore issues that are not as well explored by a walking and talking comedy-drama movie. Any human concern - no matter how outlandish or vast; life after death, origin of life, nature of consciousness, genocide, death squads, Gods, right and wrong, whatever - can be tackled entertainingly & convincingly through sci-fi. So, new indie filmmakers should take a look at sci-fi as a possible genre to add to the mix for their features; maybe instead of a low budget indie feature about a young couple walking around the city &a…
The DNO DVD cover design needs more work, but the face design (pictured above) I like. On Monday I should have the final cover design & should be able to order the first batch of retail DVDs. So, should be able to start selling DNO DVDs before this month is over.
The most interesting part of Battlestar Galactica for me is the space military vessel life stuff (the humans' attempt to strike a working balance between civilian rights & military needs, relationships between various officers & fighter pilots, and the bizarre reality of living in a heavily armed floating city that is a target for enemies). Apparently for this new version of Galactica a lot of elements of that life were drawn from the world of real life aircraft carriers. So, PBS's multi-part doc Carrier should be very interesting; looking forward to checking out some episodes soon.