ONE - ARTHOUSE FILM NEWS - Cosmic Disco Detective Rene at Film Noir Cinema, NYC starting 7/12/24

Check out the great interviews here . - S

The latest live video update, Indie Film Update From Brooklyn, ep #3 - The Iranian-American art/indie film "underground", including info on the work of  Amir Motlagh  (btw i keep looking at the top of the hill in front of me, some dudes started playing music after i started the video. so the lesson next time is not to face a hill, as my eyes may go up to scan the horizon, sorry about that distraction. but hey, the joy of these videos is that they are live, and one take, whatever happens, happens :) ) -  https://www.facebook.com/sujewa.ekanayake/videos/vb.539218365/10154705732928366/?type=3&theater

Check it out here -  https://www.pscp.tv/w/1YqGokaOLLNGv

Check it out here, a Facebook live video -  https://www.facebook.com/sujewa.ekanayake/videos/vb.539218365/10154701910048366/?type=3&theater About the video: " indie film news update from brooklyn - #1! (kind of an fb live video test  :)  ) subjects - split screens festival at ifc center,  Amir Motlagh 's indiegogo for his 2 new movies, breakthrough weekend update, werewolf ninja philosopher update, a bit about the rough cut of a short film by  Devin Negrete , & reflecting on fact that's it's the middle of 2017, still time to get a lot done this year  " :)

  A scene from The Deuce, featuring Maggie Gyllenhaal Well, I hear it's about the porn industry in NYC in the 1970s, but I only saw the amazing pilot episode of the show on Friday night at the brand new Split Screens Festival at the IFC Center, and the pilot deals with the story before the porn industry aspect kicks in.  In the pilot episode we get to see several characters in NYC in the early 1970s; a prostitute played by Maggie Gyllenhaal, a bartender played by James Franco (who also plays his gambling addicted twin brother), and several more prostitutes, pimps, and various other people in their orbit.  In the pilot episode we see how things are for these characters on a day to day basis, and generally it ain't pretty. This was the first time that I saw an HBO show episode on a movie theater screen.  That plus the production design of the show had me going "wow, this looks amazing, this really looks like NYC in the 1970s (as far as I can tell from visual do...

Festival happens June 2-8 at IFC Center. Lots of amazing screenings and events for TV fans ahead. All info here .

June 2-8, at the IFC Center,  at Sixth Avenue & West 3rd Street in Greenwich Village . About the festival: " Split Screens celebrates the art and craft of TV. Reflecting a moment when television has never been more innovative or accomplished, the festival will showcase the best of our current golden age of scripted shows, with directors, producers, showrunners and cast appearing in person for in-depth discussions about making great TV. Split Screens will also premiere episodes of eagerly anticipated new shows, as well as spotlight the next generation of DIY online creators whose work is pushing the form and content of episodic shows in bold new directions."  More here -  http://www.splitscreensfestival.com/what-is-split-screens/ Festival coverage coming to this blog all week long. Click below to take a look at the amazing line up of screenings and events:

Check out the madness here :) Details in Updates.

  Jon Moritsugu screening his films at RAMIKEN CRUCIBLE gallery in NYC in 2016 From About page at Jon Moritsugu's website: Writer/director  JON MORITSUGU  has been making films since 1985. In 1989, Village Voice critic J. Hoberman called Moritsugu’s Brown University thesis short,  DER ELVIS , one of the “Top 50 films of the 80’s.” Since then, his features  MOD FUCK EXPLOSION ,  MY DEGENERATION ,  FAME WHORE ,  SCUMROCK ,  HIPPY PORN  and  PIG DEATH MACHINE  have scorched eyeballs worldwide from Sundance to MOMA to Cannes to the Guggenheim to Berlin to the Whitney to Toronto to name a few. In 1993, James Schamus (former CEO of Focus Features) produced Moritsugu’s television comedy,  TERMINAL USA , which aired nationwide on PBS.   Visit   http://jonmoritsugu.com/about/ for more on this amazing underground film legend! * Jon Moritsugu's 2012 Grammy nominated video for "no future shock" by TV ...

It's a golden age for DIY filmmaking & distribution.  I define DIY filmmaking & distribution as one central artist - the director/producer/writer or the main filmmaker, or a group of artists - making films and making them available to interested audiences - specially feature length films - with or without help from Hollywood, large companies, the traditional film industry (relevant specially when done outside of the industry - or not letting lack of film industry help stop one's desire for making movies.)  It's as tough as ever to make a lot of money from independent filmmaking work, but, it is possible now to make and distribute your work relatively easily - compared to the first decade of the 2000s, the 1990s, the 1980s etc. Now a filmmaker can shoot a film on his or her phone or other easily available high quality image making devices such as DSLRs, camcorders, and then release the movie on Vimeo or YouTube or eventually Amazon, iTunes, perhaps even Netflix, st...