At the Evening Class blog . Here is a segment: " Michael Guillén: I'm sure I'm not the first one to express that it's somewhat startling to have the best African feature at the Toronto International be the work of a Korean-American and a White guy. [Laughter.] How did that come about? Lee Isaac Chung: Thank you for saying that. It came about originally because my wife had been doing volunteer work in Rwanda for the last three summers. She does art therapy and she wanted me to come with her. We had just been married and it was the first summer after we'd been married. She wanted us to go together and she asked me to volunteer as well to do something. I figured cinema and filmmaking is all that I know that I could teach so I figured we were going to teach it. But as I was looking at the sort of films that were coming out of Rwanda, it seemed a little sad that there was nothing that focused on contemporary Rwanda. Everything just seemed to recreate what went on with
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