ARTHOUSE FILM NEWS - Cosmic Disco Detective Rene at Facets, Chicago 11/29/23

Charlie Ahearn (Wild Style), Sara Driver (Boom For Real), Jessica Green (Maysles programmer) * BOOM FOR REAL 5/2/18 Sneak Preview screening at Maysles Cinema, NYC - event notes I had not watched a movie at Maysles Cinema before so I was excited to go see Sara Driver's new documentary BOOM FOR REAL , about artist Jean-Michel Basquiat, on Wednesday 5/2/18 night.  I was glad that I got there early - the event sold out.  Maysles Cinema is a small venue but when I sat down I was very impressed with the size of the screen.  I am showing my new movie Werewolf Ninja Philosopher at Maysles 10/25-31 of this year, so it was nice to see that I would be screening at a great venue.  All of the seats got filled, and the Maysles staff had to break out some folding chairs for the overflow crowd, and then the event started. Maysles programmer Jessica Green gave a great introduction to the show. Here are some thoughts I had about the movie: I had seen a couple of docume

So says the Whitney - https://whitney.org/Exhibitions/Film .  That's a lot :). 

Indie film has gotten kind of boring.  That revolution may be over (it succeeded well).  At present (and maybe always, since the 1980s) indie or independent film is an attempt to do what Hollywood is doing but at a low budget, and also it was an attempt (successful) to expand the type of stories that were being told, and to add greater diversity to the movies (also successful as of now).  And was also a path to break into Hollywood (maybe not everyone wants that.  hollywood is interesting, but also seems like a lot of work and money spent and dealing with a ton of problems to produce a limited range of products).  But, by and large, indie film was always a Hollywood facing project (there are a few exception).  What if the next wave of indie filmmakers looked in the other direction (but remain open to working with whoever wants to work w/ them - Hollywood, Netflix, Amazon, art galleries, small movie theaters, non-profits, ad agencies, ordinary people with interesting stories, community

Porcupine Lake trailer: * About the movie - " Thirteen-year-old Bea (Charlotte Salisbury) wants a best friend more than anything else, and when she meets rambunctious Kate (Lucinda Armstrong Hall), the pair form an unexpected bond that will change both of their lives forever. Ingrid Veninger’s PORCUPINE LAKE takes the time to explore the feelings and experiences of young girls with a thoughtful honesty that sets the film apart from most contemporary fiction, creating a story sensitive to the secret world of her characters, set during a fateful summer when adulthood has not yet arrived, but childhood is quickly vanishing."  From page linked below. Screening info for 4/28 & 29 are here -  http://montclairfilm.org/events/porcupine-lake/ Here are a couple of interviews with Ingrid Veninger.  One recent, about the new film:   And this one is older, from 2012, long interview about Veninger's approach to filmmaking and more - * - S

Click on the images below for the full episode 478 featuring all the guests.  Or see the YouTube video segment of Amir Motlagh segment only at bottom of page. *    * Info on the screening at Chicago Filmmakers here . - S

Charles Borg is the co-producer of the upcoming Amir Motlagh feature films MAN and Three Worlds.  Borg is also the co-writer and co-editor of MAN.  The two films screen on 4/21 at  Chicago Filmmakers. A vision of time – through two feature films by Charles Borg   Charles Borg MAN is a film that explores the relationship between ‘man’ and technology and how that’s grown to the apex that it is today. The film hits on modern romance, which (in many cases, for the millennial generation and those to follow, at least) is shaped by tech. Simply put: this is a new world. Amir and I seek to create content that reflects that – in a realistic, gritty way. “Realism.” You may have heard this term as it’s related to filmmaking, but the idea is to never emulate other work. It’s about thinking outside the box. “Realism” was a movement. MAN isn’t trying to be that. It needs to be it’s own thing. Everything about MAN defies the ‘norm’ that most other films follow. A lot of talk surroun