"But the suave hero, the sharp clothes, the noirish atmosphere and the spectacular settings are only one layer of the onion. Jarmusch's title is meant to be metaphysically suggestive, referring not just to the limits of political control (that's a clue, but not a spoiler) but also to the fact that the movie itself is a fiction, and to the possibility that the world is not what we perceive it to be. There are hints that De Bankolé is able to control the landscape around him, at least at times, almost like the author of a story or like Keanu Reeves in "The Matrix.""
"It's not nearly as straightforward as something like "The Matrix," where we see that reality is actually totally constructed. But one could go in that direction in interpreting your film.
Yes, there's certainly that theme in there, it's even in the title ... What if you just flipped around these arbitrary values that are put on things? We are constantly told, "We drive these fossil-burning vehicles because that's just the way it is." But the imagination and science have a thousand different possibilities, so why is one of the worst ones the one that's employed? And the answer is obvious: because it's profitable for people that control this. That is a theme repeated several times: "Reality is arbitrary." It is a theme in the film that your consciousness and your perspective on anything is your own and should be valued as your own and not just be part of a herd of sheep because that's the direction we were told to go."
Read the rest of the interview at Salon.
LoC opens in NYC & LA on May 1, The Playlist has a list of dates for the rest of the country.