I have not seen it yet, but this 1948 New York Times review of the movie Paisan makes it sound very interesting, kind of like some contemporary indie dramas & comedies I've seen. Here is a little bit from the review:
"It is useless to attempt an explanation, in familiar and concrete terms, of its basic theme and nature, for it is not an ordinary film—neither in form nor dramatic construction nor in the things it has to say. In some ways, it is the antithesis of the classic "story film," and certainly it throws off glints of meaning which are strangely unfamiliar on the screen. Possibly for some persons who are accustomed to the routine sort of film, it will be completely bewildering and leave a sad sense of emptiness. But at least it cannot fail to rattle the windowpanes of your eyes. And for many it will crash into the consciousness and leave the emotions limp."
Read the rest of the review here.
- Sujewa
"It is useless to attempt an explanation, in familiar and concrete terms, of its basic theme and nature, for it is not an ordinary film—neither in form nor dramatic construction nor in the things it has to say. In some ways, it is the antithesis of the classic "story film," and certainly it throws off glints of meaning which are strangely unfamiliar on the screen. Possibly for some persons who are accustomed to the routine sort of film, it will be completely bewildering and leave a sad sense of emptiness. But at least it cannot fail to rattle the windowpanes of your eyes. And for many it will crash into the consciousness and leave the emotions limp."
Read the rest of the review here.
- Sujewa
