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Uncharted territory for Iran - Laura Secor essay in The New Yorker

The New Yorker's Laura Secor takes a look at possible options available to the Supreme Leader of Iran as he deals with an unprecedented popular movement against a most likely fraudulent election. From the essay:

"What are Khamenei’s options? With protesters yelling “Down with the dictator” in the streets of nearly every city in Iran, his position could not be more precarious. He has staked his very legitimacy, and perhaps that of the edifice he sits atop, on forcing Iranians to accept Ahmadinejad’s supposed landslide victory. He can continue to try to force that down their throats with a show of raw power, or he can bend, which would show the opposition that he and the system are not really so powerful after all, that they are vulnerable to pressure from below. If he takes the latter road, it would be a radical departure from his style of governance up until now."

And:

"This is uncharted territory for the Islamic Republic of Iran. Until now, the regime has survived through a combination of repression and flexibility. The dispersal of power throughout a complex system, among rival political factions, and with the limited but active participation of the voting public, has allowed a basically unpopular regime to control a large population with only limited and targeted violence."

For the rest, check out The Supreme Leader's Next Move.

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Introduce us to your favorite painters & paintings.

There's a PBS (i think) show on French painters right now. Other, older, forms of art, & the people who made them, can be inspirational & useful for filmmakers I think. I've learned a lot from indie rock (some aesthetic stuff, lots of bidness stuff), maybe I can learn stuff from painting too. So in July & August I am going to blog about painters & I would like you to comment & tell us about your favorite painters & other interesting stuff about painting. Painting is thousands of years old. Filmmaking is a little over 100 years old. US Indie filmmaking as we know it is perhaps a little over 50 years old (w/ the beginning somewhere around the time when the Cassavetes generation got its inspiration/started work). Us new indie filmmakers - the digital/web/DIY generation, can probably learn a lot by taking a look at/getting to know, painting & other older art forms. I'll start w/ Edward Hopper . Here's page w/ a lot of info on him. His most famou...

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