ARTHOUSE FILM NEWS - Cosmic Disco Detective Rene at Facets, Chicago 11/29/23

Read an interesting Time magazine story (thanks to ex-housemate Allison's subscription :) while doing some late night eatin' & writin' at IHOP Wheaton (seems well lit cheap diner/old timey eatery like places i can relax & write it, i can't imagine writing at a Starbucks or even at Tryst in Adams-Morgan); a story about an aging (42) indie rocker (from Mr. T Experience) writing a book with a teen protagonist at the urging of a fan in the publishing biz & then Will Ferrell & co. buying the rights to make the movie. The book is called King Dork, & the main character in it "rails against "the cult of Catcher in the Rye" ", so I read in Time, sounds interesting - here is the link. - Sujewa

Here's the link to an interview I did last year with filmmaker Amir Motlagh. It's about Date Number One & self-distribution. Not much has changed in how I do things from then to now, except perhaps for the film fest thing - at that point I was planning on submitting to fests & then later on I re-thought that approach, since relying on fests would get in the way of my DIY distro magic. Anyway, possibly a good read for DIY minded filmmakers; check it out here . - Sujewa

Read all about it here , with photos. Great blog entry Mike Tully. - Sujewa

What's the point of reading a blog if you can't comment on it? Well, I guess you can learn some interesting stuff - but one of the best/most interesting & sometimes very entertaining aspects of the blog world is the comments - for me (and I think for a lot of other people). The blog Cinecultist , however, feels differently. Cinecultist celebrates the fact that they don't allow comments and is picking on a director who dares to comment on a review published in indieWIRE. Check it out here . So, again, comments = good, no comments = not that good, bit dull. (I do however like the Edward Hopper image on the Cinecultist blog, another topic for another time; blog design). Also, by allowing comments the blog owner is creating room for a community of readers to form around the blog. Makes the blog more interesting. - Sujewa

I haven't read it yet but I am looking forward to it (Krisner's thorough list of web sites where video producers can make money is awesome). Here is a little bit of the description of the book, from e-tailer lulu.com's site : The Future of Web Video: Opportunities for Producers, Entrepreneurs, Media Companies and Advertisers by Scott Kirsner "... “The Future of Web Video” details twelve tectonic shifts reshaping the entertainment landscape. It includes interviews with senior execs from Brightcove, Revver, TiVo, Verizon, and Ogilvy & Mather, as well as Web video pioneers like Judson Laipply ("Evolution of Dance"), Fritz Grobe ("Extreme Diet Coke and Mentos"), and Gregg Spiridellis (“This Land”). Full of up-to-date stats, original interviews, and valuable case studies, “The Future of Web Video” also contains charts covering: > Sites that help video producers earn money > Online viewership habits > Devices that bring Web video to the TV &g

Anyone who is into what this Indiewood studio is up to can go check out their blog here: http://foxsearchlight.blogspot.com/ . - Sujewa

Date Number One will screen in Kensington, MD on March 15, 2007, at the Kensington Row Bookshop/a Capital City Microcinema screening. More info. & links closer to the date. DNO DVDs will be on sale at a booth (& there maybe other promo activities happening, also perhaps other DNO merch) at the Day of the Book festival in Kensington, MD (one of the newest & most popular literary events in the DC area) on April, 22, 2007. More on that event coming soon. - Sujewa

Lance Weiler talks with Alex Afterman of the DVD label Heretic Films. Here is the intro from Lance's post at The Workbook Project : "Today’s guest is Alex Afterman of Heretic Films. In our conversation Alex breaks down how the DVD side of the business works and what filmmakers can do to best prepare themselves to reach retail and rental outlets." Go here to download the conversation.

Check out the DV Guru post here . Thanks Brian! - Sujewa

The Date Number One self-distribution project is about to enter its 9th month. This is a 24 month long project (at least, well, for the initial release, and I am sure it will be an eternal/life long PT project after that, which is fine by me), and so far things are going pretty well. I should have the DVDs available for sale in early December, and then more screenings in '07 & in '08. In 2006 several other filmmakers also engaged in DIY distribution: Lance Weiler, Kelley Baker, Kat Candler, Andrew Bujalski, etc. At the end of this year I will have a thorough post on the '06 DIY distribution activities. For now, here is a post with many relevant links. Here's the post, from October 2005, that announced my plan to explore DIY distribution using Date Number One (and so far no major changes in how I view the future): The New US Indie Film Frontier: D.I.Y. Distribution (Originally published in Watch This Movie blog on Monday, October 24, 2005) Making Distro Low Budget I

I don't want to take away your "figuring it out" experience, so, until you see The Fountain, don't read this post. Now, for the people who have seen the movie, here's my take on the plot; let me know what you think: I think that Story 1 - the one about Spain & the Conquistador, never happened in the real world of the film - it is merely a story created by Izzy - the female lead character in Story 2 - the one with the doctor & the monkey. It, Story 1, is also a symbolic story - a tale - that hints at what will happen to the real person - Tom in Story 2, as he continues with his quest for immortality. Story 3, the space story set in the future, is a continuation of Story 2. The male lead is the same male, Tom, from Story 2. The tatooing that he started in the modern time, our time, after Izzy's death, continued for hundreds of years & by the time we get to the space story, the dude is covered in tattoos. Also, the two stories being the tale of one ch