If I were to develop an indie film theatrical distribution business (which, come to think of it, I would like to do), I would follow the Zeitgeist Films model (from the Village Voice article re: the company's 20 year anniversary): "Gerstman and Russo, veterans of indie distribs First Run Pictures and Interama, respectively, joined forces in 1988, working in an elevator-sized apartment in the West Village for $175 per month. "We started the company with $1,000 each and $900 on a credit card," recalls Gerstman. Their first release was Bruce Weber's nonfiction boxing portrait, Broken Noses, followed by a collection of shorts from Todd Haynes and Christine Vachon's Apparatus Productions. Soon after, they released Haynes's feature debut, Poison, along with a bevy of work from budding auteurs, such as Guy Maddin's Archangel, Atom Egoyan's Speaking Parts, and The Films of the Brothers Quay." More here . And, the company is cool when approaching the...