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Evening Class review of Medicine for Melancholy

From the MfM review at The Evening Class blog:

"What is a "Black" person? What do they look like? What do they act like? What kind of music do you associate with them? What part of the city do they live in? What are your presumptions about them? What are your expectations? And why—if you are not Black—should it matter to you? Is it perhaps as Robert F. Reid-Pharr has written in his assessment of Cheryl Dunye's The Watermelon Woman that a predetermined conception of Blacks "has come to lend a certain type of ontological stability to all American identities"? And if two African-American characters are introduced who do not match stereotypes does it induce a kind of vertigo? If say, both are civilized young people compromised by a sense of social displacement, do the forces that create that social displacement appear less than civilized?"

Read the rest here.

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Introduce us to your favorite painters & paintings.

There's a PBS (i think) show on French painters right now. Other, older, forms of art, & the people who made them, can be inspirational & useful for filmmakers I think. I've learned a lot from indie rock (some aesthetic stuff, lots of bidness stuff), maybe I can learn stuff from painting too. So in July & August I am going to blog about painters & I would like you to comment & tell us about your favorite painters & other interesting stuff about painting. Painting is thousands of years old. Filmmaking is a little over 100 years old. US Indie filmmaking as we know it is perhaps a little over 50 years old (w/ the beginning somewhere around the time when the Cassavetes generation got its inspiration/started work). Us new indie filmmakers - the digital/web/DIY generation, can probably learn a lot by taking a look at/getting to know, painting & other older art forms. I'll start w/ Edward Hopper . Here's page w/ a lot of info on him. His most famou...

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