Evening Class review of Medicine for Melancholy
"What is a "Black" person? What do they look like? What do they act like? What kind of music do you associate with them? What part of the city do they live in? What are your presumptions about them? What are your expectations? And why—if you are not Black—should it matter to you? Is it perhaps as Robert F. Reid-Pharr has written in his assessment of Cheryl Dunye's The Watermelon Woman that a predetermined conception of Blacks "has come to lend a certain type of ontological stability to all American identities"? And if two African-American characters are introduced who do not match stereotypes does it induce a kind of vertigo? If say, both are civilized young people compromised by a sense of social displacement, do the forces that create that social displacement appear less than civilized?"
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