Skip to main content

Great interview with director of Medicine for Melancholy at ShortEnd Magazine

Check out the interview here; it's great because the interviewer & the subject know each other through previous interactions & thus topics are approached from different angles than they would have been had the interviewer been a relative stranger (i think). Plus the interview is long, I like long interviews with filmmakers; specially if they have a lot of interesting things to say. A segment of the interview:

"SM: Looking at both of those characters, I feel the same way about race. Having grown up in white suburbia, I wasn’t forced to think about those issues very often, but if you’re thinking about the conversation you have to have in your head when you begin to think about race, there has to be that part of you that rallies out against it, in the way that Micah does, and there has to be the part of you that doesn’t necessarily want to deal with it, that part that just wants to look at the progress and wants to move on in the way that Jo’ does. For me that worked, because like you said, these volleying thoughts happen in your own head.

I was watching a few days ago, and it’s also set in San Francisco and also about race relations, which is why I’m thinking of it, Guess Who’s Coming to Dinner? Spencer Tracy’s character in the film mentions that only 12 percent of the city at that point was black American, and this 1967. And, so I was thinking about that film and thinking about this film and wondering what it is about San Francisco that makes issues of race fluster up.

BJ: I honestly cannot say. It’s just one of those things, just something you notice. Obviously, only 6.5 percent of the city is African-American…It’s funny when I was describing the film to someone, I was saying how both of the main characters are African-American, but the film never sets foot in any of the predominantly African-American neighborhoods of the city. I think that’s because the film is more about class than it is about ethnicity. It’s just that Micah is so obsessed with it that that’s what he brings to the story.

I have these conversations a lot where we talk about the middle class, and how in San Francisco there really is no representation of the African-American middle class. And, so a great deal of the African-Americans in the city are living below the poverty line, and they’re wedged into these small sections of the city, and these sections are contained onto themselves. They don’t really get to participate in the city, and I think that’s why for the African-Americans that don’t live in those enclaves, then you really start to notice. You walk around, and you can literally walk twelve blocks and not see another black person. It’s a really interesting thing, and it’s not something you notice until you do it enough times, and you go, “Wow, every day I walk fifteen blocks, and I never see another black person.” It’s just one of those things, slowly, over time, maybe it starts to manifest itself in the back of your head, a certain kind of paranoia that I can’t really describe that I began to feel and that thoroughly got me more and more into the script."

Read the rest here.

- Sujewa

Christmas Eve controversial, fun discussion - 1 of the best American indie filmmakers - Amir Motlagh

Inside the Arthouse ep 2

Full Movie - SNEAK PREVIEW - Cosmic Disco Detective Rene And The Mystery Of Immortal Time Travelers

NEW - COSMIC DISCO DETECTIVE RENE (2023) - TRAILER!

The Secret Society For Slow Romance (2022) - available to rent as a new release starting January 1

Werewolf Ninja Philosopher at Vimeo VOD

Popular Posts

Written notes/review plus live video review of By the Stream (2025) by Hong Sang-soo

By the stream review - from Lincoln Center, NYC viewing - no spoilers The hype is real - By the Stream is very good by Hong movies standards and also normal comedy-drama standards. There were like 30-40 people at Lincoln Center for the 1PM Fri 8/8/25 (opening day) screening of By the Stream.  People in that neighborhood are serious about their foreign films. Cinematography is very simple, from a canon XA small sensor HD cam, I could see familiar details, how those cams film the moon, scenes at night - it’s like a 1980s or 1990s early indie cinematography style that we do not see much these days - works well for Hong’s movies. No color grading, very simple video/cinematography. A more fleshed out movie than some recent Hong movies. In the movie a skit is prepped, and we actually get to see it performed. A couple of serious issues are discussed.  Some unexpected, light things happen. It’s a comedy-drama chill hangout movie w/ creative South Korean people - good times. Probably o...

The case for using AI for indie film reviews (if tech is developed to be able to write good reviews)

Regardless of how it is presented to the public, everything in US film (and probably worldwide) - Hollywood and indie - is about money.  If you have the money, you can make and release films, buy ads in publications, and get reviews.  There are 200+ reviews for a mediocre Hollywood movie now at Rotten Tomatoes site - for the new Fantastic Four movie. At the same time there were less than 10 reviews for an indie movie that was playing at IFC Center in NYC last week. Outside of even IFC runs, there are 100s of indie movies - fiction features and doc features - that come out on VOD and YouTube every week these days that do not get reviewed and do not get any articles written about them. With some effort I and many other indie filmmakers are able to get some reviews for our movies. However, the vast majority of new indie films are not reviewed. Film is art, it is easier to make and release films now than it was in the past, and all films deserve reviews and articles about them. ...

Cosmic Disco Detective Rene (2023) Full Movie + The Last Days of Joseph Koch Comics Warehouse (2025) feature documentary, full movie

    *  

Reading Material

Indie Film Blogger Road Trip